Un film réalisé au studio Image et Mouvement de la Structure d'Accompagnement à la Sortie (SAS) des Baumettes, dans le cadre des actions de réinsertion portées en partenariat avec l'administration pénitentiaire et d'un accueil en résidence des cinéastes Joseph Césarini et Iacopo Fulgi.

Third part of a French TV series about the creation and building of the town of Cergy-Pontoise.

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在法国阿尔卑斯山的佛罗伦萨，一位哲学老师设法驱逐一名因阴谋被警察追捕的难民，后来她和他一起走了。

Vincent, a triumphant forty-something, is about to become a father for the first time. Invited to dinner at the home of Élisabeth and Pierre, his sister and brother-in-law, he reunites with Claude, a childhood friend. While awaiting the arrival of Anna, his eternally late wife, he is pressed with questions about his impending fatherhood, all in good humor... But when Vincent is asked if he has already chosen a name for his unborn child, his answer plunges the family into chaos.

Meet the Libner brothers: Marvin, the oldest, is a sergeant in the U.S. Air Force. Buddy, the middle child, is a timid dreamer. Bobby, the youngest, is a handsome rebel in reform school. As kids, they fought a lot and as adults, they barely speak. In the summer of 1963, their tough and eccentric father, Fred, gives them a task: to bring a 1954 Cadillac, bought for their mother, Betty, from Detroit to Miami. As the trip goes on, the three brothers fight and begin to reconnect with each other, while trying to keep the Caddy in mint condition.

Three older sisters play hide-and-seek in the forest. As the games continue, the linearity of time collapses and the past merges with the present. Everything that follows is an odyssey of personal memories and dreams. There is a bit of the pagan and a bit of the past that grows in strength as the sisters unite. 　　Finnish director Saarlotta Virri has proposed that this confident film is a hallucinatory exploration of time and the collective imagination through the use of the cinematic image. The film takes its title from Virginia Woolf’s novel To the Lighthouse, which centres on the Ramsay family who spend their summers in a cottage in Scotland. Virri, who is currently studying at Aalto University, has achieved this same sense of ‘life standing still’ by using a variety of narrative strategies and by conjuring up the contours of an incredibly magical forest. 　　源自：https://rigaiff.lv/en/films-2023/haosa-vidu-bija-forma/

A sensory and poetic experience where fantasies and dreams clash with the constraints of everyday life, Chronique d'une ville questions our relationship with the bustling metropolises developing around us at a sometimes elusive pace. Magnetic and impenetrable, with their incessant flow, they attract us as much as they confine us. This film, with its immersive soundtrack, patient camerawork, and meticulous editing, takes us through the streets and winding alleys of Mexico City, Tokyo, and Montreal, where millions of individuals coexist, both alone and surrounded by others. Nadine Gomez reveals several characters whose stories intersect and echo each other, while also giving a voice to these cities that transform us as much as we transform them.

Three older sisters play hide-and-seek in the forest. As the games continue, the linearity of time collapses and the past merges with the present. Everything that follows is an odyssey of personal memories and dreams. There is a bit of the pagan and a bit of the past that grows in strength as the sisters unite. 　　Finnish director Saarlotta Virri has proposed that this confident film is a hallucinatory exploration of time and the collective imagination through the use of the cinematic image. The film takes its title from Virginia Woolf’s novel To the Lighthouse, which centres on the Ramsay family who spend their summers in a cottage in Scotland. Virri, who is currently studying at Aalto University, has achieved this same sense of ‘life standing still’ by using a variety of narrative strategies and by conjuring up the contours of an incredibly magical forest. 　　源自：https://rigaiff.lv/en/films-2023/haosa-vidu-bija-forma/